Oscar W. Küsel Gothenburg, Sweden
O.W.K.
Feedback loops, cross-stitched mixing consoles and custom-built string instruments.
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Sun of Serpent, Moone of Cipher
by Them Teeth
supported by 14 fans who also own “context; III: entities / spectres”
Not quite as rugged as their side project Holy Mountain Beast, but no less enjoyable. Still some heavy handed slabs of rhythm, completely devoid of any new age, hauntology, canned-witchery type sounds. Which is a fine line to walk, but Them Teeth do it incredibly well.
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Auditory Witchcraft
by Them Teeth
supported by 11 fans who also own “context; III: entities / spectres”
Excellent album, nice job balancing clobbering caveman-style drums with a sort of soothing finger-picked style guitar, throw in a touch of palette cleaning noise (that thankfully knows its place) and there you have it. Pretty perfect. Reminds me a bit of Radian or Noplace.
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Dead Mantra and Rituals; vol I / A Bibliography of Shamans
by Holy Mountain Beast
supported by 10 fans who also own “context; III: entities / spectres”
What fucking sorcery is this? Where have you been all my life, you beautiful mountain beast? A pummeling of deep dank rhythms, crisp dog whistle electronics, convulsing distortion, and hoards of half dead guitarists give it their all on the final dirge.
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A forward-looking record that imagines the future of Rio de Janeiro, built on intimate textures, ambient, drone, classical, and bossa nova.
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[UDG 0.11] "01112012"
by Richard Francés
Official debut of French solo artist Richard Francés. Sci-fi influenced synth work, recalling pioneers like Tangerine Dream and Terry Riley.
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The North Carolina singer and multi-instrumentalist translates the "story of lightness" into nine experimental ambient spirituals.
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supported by 9 fans who also own “context; III: entities / spectres”
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